Backache Mackenzie Exercise

aprietabotones Uoho and Bunbury "was plagiarized? Have you plagiarized

things first if someone has been a little lost or breaded:
the first single chosen to present "Hellville de luxe", Bunbury last album was the song "The thin man who will not waver ever. " Someone realized then that this phrase (repeated thirteen times as chorus) was a verse from the poet died Pedro Casariego. So first Alsedo Quico (the great blogger Music World) began to investigate and discovered that the same song Bunbury used the following verses of the poet:

"I will fight against all those who say what I say" (' I love the poem because your heart is cheap ').
"I see mysteries and detectives in some women in some men" (quoted in an interview published in 'Half-truths', Espasa).

and noted that the entire disk not a single mention of Pedro Casariego: not only is cited, it appears neither in gratitude as if I passed, for example, Fernan Gomez in the album "The trip to nowhere."
Then comes the kicker: many media (Efeeme magazine, El Pais and El Mundo, mostly covered and cowards that abound on the Internet) are rubbing their hands and pulled at the jugular of Bunbury. Bunbury feel unfairly attacked (because he was being attacked and it has too much ego to come up that are part of the same reason) and stirred with a statement offensive and proud:
I will not deny it has used two phrases Casariego (great poet, by the way) drawn from two books. As I use my notebook to record comments made late at night, Humphrey Bogart phrases in black films, excerpts from the events section, (...). Throughout the history of popular music, large and unknown songwriters like practices have been picking up phrases from traditional songs and doing new and different creations. (...) Dylan, Cohen, Lennon, Van Morrison, have used sacred texts like the Bible, the Kabbalah, the I Ching, the Tao Te Ching, or unquestionable poets like TS Elliot, Dylan Thomas, Edgar Allan Poe, Shakaspeare ... or the daily press to tell us their concerns and create their songs.

The storm continues to promote the album and Bunbury has a serious clash with a reporter from The Leaving the country to end the interview gets to poke Efeeme whenever possible, El Mundo and El Pais also exploits the less excuse such as, to publish critical point Disk Extreme "and he quoted Galdós YES, take note Bunbury ". Like little kids ...

Weeks later, but with the apathy and laziness that characterizes them, gets all a bit serious in this matter: more research that reveals a new discovery: Elsa Fernández, El País notes that Bunbury has also used the following verses of Basque poet Joseph Sarrionandia (the song from Kortatu "Sarri, Sarri"):

'In this place where they cross century and the second country ... called away '(The song of Bunbury, reversing the order says: "In this country they are calling far away, where you can find me at the crossroads of a century and a second".)
"My desire is not only nests and abandoned." ("Our wishes are no longer that abandoned nests").
http://www.elpais.com/articulo/cultura/Nueva/inspiracion/literaria/Enrique/Bunbury/elpepucul/20081009elpepicul_5/Tes

then also fall, although it had been fairly easy to see before, in another song on the album, the exciting "Two hundred bones and a necklace of skulls" Bunbury Casariego using another verse: "A good verse perhaps the brave side of a coward. "
has to be the Basque singer unveils Ruper Ordorika that much of the mystery:
" My feeling is that everything comes from a book entitled Eight poets Ardora editorial which coincidentally is rare Casariego and where the only Castilian translation of the poem there (...) Sarrionandia the impression is that you have been caught simply because it's a very superficial ".

mean, it was all pretty easy to find out ...


In fact, it was fucking easy: Bunbury not consider these things plagiarism (of course, because they have had some fear would have chosen another single though most Critics do not listen carefully discs. I think that, having chosen another single or BA GIVEN THAT THE SPANISH JOURNALISTS ARE, SIMPLY HAVING CHANGED THE TITLE OF THE SONG that might not have come to light ...)
And as Bunbury plagiarism does not consider these things, perhaps a good interview to talk about music, poetry and inspiration of the disc, and had cited Casariego Sarrionandia (without identifying it is not an asshole, but at least enough research delimiting ...).

So let's go to the root of the problem: BUNBURY WHY NOT THESE THINGS CONSIDERED PLAGIARISM? Because it has done so WITHOUT ANY CAREER MUSICAL CRITICISM IS NOW ECHA HANDS HEAD HAS NEVER SAID ANYTHING:
"The most trivial / fundamental turn (" Still ", Mario Benedetti). In the song "Opium" Heroes del Silencio: "The most trivial things become fundamental"
"Pain is a trial / death to come" ("Homeland is humanity", Mario Benedetti). In the song "Spark": "And the pain is a trial / death."
(You can find more examples, though less
representatives in one of the few worthy articles that have been made on the subject: Http://www.elconfidencialmusical.com/noticias.php?id=000768 )

CONCLUSION: A boy of 20 who is starting, from industry or music criticism can be given a touch and say: Look, THIS IS FUCKING EASY: You can take without paying VERSES COPYRIGHT BUT ARE considered polite to include authors.
But after having allowed it in fucking famous songs ... do not throw the neck of a godlike uncle will not know how to react ... at least without Having A deigned to investigate and see where everything is ...
So, again, the prudish, smug, careless and harmful music criticism in Spain gets controversial due to his incompetence only ...

Indeed, the latest album of Bunbury is quite good, with 3 or 4 tracks very, very, very good (some with lyrics Cojonudos hehe, sorry for the easy joke-)

Indeed, it has been number one in sales two weeks in Spain, in my User Input because their fans have wanted to wrap up after all the fuss ... What does this mean? Has been treated so badly (with personal attacks, interviews with slaughter ...) has increased the number of people passing full of critics, just believe in the stars and so is condemned to enable everything and that his music continue to grow. Bad times
para la lírica, nenes.

Heart Palpitation After Surgery

Bunbury? Solutions

Entre sí y mucho, depende de lo que entendamos por plagio...

Eso sí, la culpa, de nuevo, no es suya sino de la crítica musical española. No es una ironía. Irle dando una vuelta que mañana desvelamos el misterio.

Sterling Combination Padlock

tangential

Ahora que el rock urbano ha muerto, podemos optar por diferentes soluciones. La clásica es la supuesta "evolución" que ha habido siempre: el cantante de un grupo se va en solitario, hace canciones más lentas, menos guitarreras y supuestamente más personales. A algunos les gusta más, a otros les parece simplemente distinto y una gran parte dicen sin pararse a escuchar has been sold, which is the easiest option.

Well, within this classical solution we have Josele Santiago that after leaving Enemies still singing like ass, but now closer to jazz, swing and a very distinctive singer-songwriters. Can be excruciating, but for the one you like is fine. (Until you get tired ...) http://www.youtube.com/watch?v=lHN9oRVFKjo&feature=related

I personally suggest Le Punk, which can be boring but they are also pretty good. Just released its third album ("Kill"), that play entirely in http://www.myspace.com/lepunkmadrid if you give yourself a hurry ... and if not, I'll have to wait bajároslo. Good lyrics, touches of tango, swing and cabaret thrown but increasingly more pop. Of the 13 songs are at least 4 very good ... I think.

Before this are two: "The lodge of the scoundrel" (the first and best) and "Do not shoot the pianist" who has good songs even though the title can not be more appropriate ...

Now that he has finally reached the promised level and never reached is Albert Pla : it is much too early to say but "The difference" may be his best album. Follow Got Fingered and asshole just with the media (where a large part of its charm) but has left at least two interviews with some sense: it

written

http://www.manerasdevivir.com/entrevista_albert_pla_20081014.php

and is talking on the agenda of Andy Chango on Radio 3 with versions of the songs live.

http://www.andychango.com/grabaciones/

(... Andy Chango, of course, still very far from promising musical level as a character- http://www.youtube .com / watch? v = fepJiKlzuPg & feature = related - and never, never, ever achieved. The latest album, as always, a chestnut. To continue with the radio and direct.

"I know this has nothing to do with rock, urban or not, but it was not me who killed him ... feel, kids-)

Homemade Recipes For Cleaning Aluminum Pontoons

Abdication and murder: End of Spanish urban rock

have commented around here that have criticized Extremoduro, I guess thinking that because we feel an effrontery to tour without an album to be presented, that this album has certainly not liked and hence the reason for the criticism and also to relativize the pedestal level routers English urban rock ...
Nothing is further from the truth:
I think, first, everyone goes on tour when you get the eggs (then we'll see if the public wants to go to a concert that presents nothing new, as seen in the case of Extreme itself) and, second, "The innate law" seems, at the very, very good album.

relativism ... As I do say that we will always try to keep to avoid endian and aura of untouchable ... but, really, in the case of Extreme is hard to do and trying to be completely objective I think I have to say that I have been Extremoduro large enough to carry the English urban rock to the top.
say more: Extreme have been large enough to charge urban rock them all alone. Because
, English, English urban rock is dead. Because
, English, Extreme has killed the English urban rock.

But one thing: When I say
Robe Iniesta consciously abdicated his throne as the patriarch of English rock (which had aupado with effort and brilliance and maintained without effort but brilliantly) I mean, of course, at six years of break we gave before the release of "innate law."
It is not that Extremoduro took six years to release a new album, is that the English public was 6 years WAITING Extremoduro disc.
was so eager to it tried desperately to find substitutes and, obviously, we all think as a first option in Marea. Without doubt the best in a similar line.

In those six years later they released a good Marea album ("28,000 stabbing") and a mediocre album, "The sidewalks are full of lice."
I, that I bought just outside the last original, a true Purete, I had the opportunity to reach an easy conclusion: the drive came with a live deuvedé showing clearly that Tide has been forging a repertoire cojo over the years and that, rather than accompany, what he did was make a tremendous surplus to a new record in which even the lyrics were packing. Let's say then that

Marea unwilling, unable or able to replace Extremoduro (I'm not saying that at no time this has been his intention, but I maintain that the English rock groups it has been claimed and for that I had with the new album 2 weeks in the top of the list of sales: by puritito mono). Thus the public
rocker went wandering in the desert, mixing water and thirst, and hoping that God would deign to come down with an album under his arm. Meanwhile up some clay idols to kill time: Poncho-K, Jere, Albertucho, Memoria de Pez ...
And suddenly God came down from did not bring the heavens and the Tablets of the Law with the Ten Commandments but the promise that one law would soon condensing all the others, "innate law, and a single commandment, who likes good, and that do not you like to give you the ass.

far so right: they destroyed all the idols of clay that had been boosted by simple necessity, ran wine, screamed, danced and made a pilgrimage across the peninsula behind a blasphemous god desired.

And suddenly, wham, Robe Iniesta, killed about a month ago urban rock. Rest in peace.

Marilyn Monroe Shower C

This is what you get: shit without criticism and criticism of shit

The October issue (and the 253) of the journal Route 66 is very good. As always spoken in most groups known only to them and they are driven too much by the frikisimo and gafaspastismo (unfortunate self-proclaimed "paper" Alcohol and Rock on "the inescapable sound-private partnership" ... so there to read God's sake ...). But, in addition come several reviews and reviews two articles are interesting insights. One is Jaime Gonzalo and the other Andrés Calamaro.

Jaime Gonzalo, the director, wrote an editorial sharp, accurate and fucking written. Among other things says
"In recent decades, the credibility Rock is based in part thanks to the proliferation of experts copyists, regurgitation professionals, masters of cut and paste that accumulates after a numbing lack of ideas but not original and fresh. also thanks to a tool that has become indispensable in contemporary criticism: the overvaluation . From Nirvana and Sonic Youth, to Anthony and the Johnsons and Wilco (...) to Tom Waits and Joy Division; in the background I'm sure we've all journalistically promoted any of these names, we are sure that we exaggerate. We know that there is no big deal, but we also know that there is something else. "

Luckily finally someone says. Took years to Wilco's cock, trying to listen to more readily found nothing brilliant joke compared to giving them. And now? Does that has given musical citrus The War on Drugs, Marah and The Hold Steady? Anyone that believes there has heard for so long? Why the effort to put 5 stars to this happiness? Do not we realize that we are encouraging that if you encourage conformity and conformism promote vulgarity, mediocrity, drought and regurgitation? Because, and let what we want, if you think that Perez, in what is evil, evil comes to girls approaching 15 years The Beatles, the Kinks or Tequila, say that. But do not say that laziness are great because you're lying.
And if you think that M-Clan and Bunbury have released a new album brave but uneven writing that: do not say that the last record of M-Clan or Bunbury are great because it is simply a lie.
More examples: The last album Loquillo (Balmoral) is more than worthy, but NO, it is fucking great. The Jose Ignacio Lapido (Mapping) is interesting. The Deluxe has something good ... But who dares to say they are excellent, wonderful, the not-going-over is because he has not heard really good music in your fucking life.

Andrés Calamaro For its part, the opposite writes Jaime Gonzalo. I quote, again without permission, " course is thinner and sharper, the stiletto deluxe criticism Taliban specialist. And his hosts, who live in the shadow of imported models and looking side to that, well, we earn a living by singing. "
I agree to go straight against is of RockdeLux, gafaspastismo Taliban where they are. But to say that a musician whose latest album, passing just past, has been rated outstanding and almost half of that with the former ("The palace of flowers") may have been one of the worst albums of the last ten years leaves no its funny.

English musical criticism has long been satisfied with what you get. And that has meant that there could not be otherwise. And Loquillo disks, or Quique González Lapido not only be the least bad of the year, but are the best that this step can be done in this country until the paternalistic attitude change, conforming and funky music critics.

Seal Digital Camera Drivers

The vast minority is a minority (self-) critical enough

Let us therefore little previous topic: all the artists who start complaining about the slightest lack of support from media to get their music. And plenty of them right. But we have said (and see if we wake up the little story tale) that radios, magazines and television are to make money and it's risky bet by some dudes who do not know or the unfortunate mother who bore them.
However, within the phenomenon of English urban rock (and soon to stop calling and now that is gone forever) has occurred, the entire life (except for the first Villa de Madrid and the relative power of Discs Chapa Mariscal Romero or waves) that groups have had the opportunity to be known, to get their songs, to survive and, in many cases, to succeed.
course many did not have good luck, but do not forget that there are many bad as hell (in my humble opinion) which are podriditos money and playing nonstop for an eternity. So let's say that the possibility of letting you know without institutional support or resources is only possible if you rock urbano. And do not forget that the majority are stupid and spokespeople with long names that grace is trying to do (using "k" instead of "qu", "z" instead of "c", "tx" and so on ... ), ie, which its nomenclature seems, a priori, just an easy sell. (Imagine a drink is called "Koka-kola pa balls" or "Trina, Trina, that something is" and tell me if it meets the required business, that servant of these things does not understand ...).

Úsease, and I'm short, that the urban rock style has on others a huge advantage like so very naturally to the English public that has survived the critical scorn, institutional ignorance, lack of originality of much of its proposal and even his nature not given to "sold as product."
Therefore, as we said before, every year the Extremúsika peta, the Vineyard and many other festis, so http://www.manerasdevivir.com/ and http://www.rockcircus.net/ visits are way up and so the unconditional love has forgiven Soft (Eg) its concert season pathetic or (and here I go) has sold out of all Extreme tour before deign to make the fucking record. Within

be a minority trend, urban rock is a vast minority, a minority can be enough to survive on its own. Did not need compassion, help or support from anyone over thirty years of existence.
So let's not charity, compassion and gibberish: why no support "our" despite everything, there is no reason to forgive bad records, filling songs, concerts, mediocre (I speak in general: it could give examples but it is a matter of touch eggs because. Maybe another day.) Let's cut

charity, solidarity, permissiveness and good vibes and we demand the level of a few years ago. Only way out that once someone takes the throne of Extreme now that the King of Extremadura definitely has abdicated.

Coques Iphone Fox Riders

rock Indigestion kalimotxero

The Beatles fucking problem is what they were, or even what they represented or now, and distorted, mean, but in the interpretations (maybe wrong but certainly not terrible) that have resulted. One day, probably smoked or already deified by the crowd drooling and shrill girls, hippies and pseudo-intellectuals, said they were more bigger than Jesus Christ. What seems is that they were just misunderstood and Inquisitions, Vatican and consecrated hosts apart, the consequences have been very harmful.
guess you should admit that this is because they really were very good, that really changed the meaning and motivations of pop music, which undoubtedly renewed innovation in school and who left great songs and, in my opinion at least two previous albums. However, even without fault, bad influence can be applied to almost anything: the circus of the star-system, the easy pop or the worst of psychedelia and, especially, the absolute permissiveness fussiness. But now I just want to blame the paralysis of Liverpool music critics in Spain.

The Beatles are a model and paradigm, not from their best albums, but, as always, since their separation, and are also the yardstick for each disk and each group of everything that is not punk. And thirty-odd years after this is serious.
do not know whether particular but of course this happens in Spain and criticism is very forgiving and flattering to normal discs, predictable and lazy to just keep a musical tradition that view by maintaining letters turned into topics and still insistent on a excessive fussiness. I could give dozens of examples but it is something to touch the ball for nothing ... Maybe another day.
On the contrary, everything that moves away from this trend so busy is neglected or ignored, such as the English urban rock, still impaired as a "rock kalimotxero" and the pen did not learn until, twelve years ago The phenomenon of "Agila" exploded in his face. For a long time that Leno had spread to the utter indifference and despite the time elapsed was still absolute ignorance, blatant (eg always made me laugh critical constant repetition of "in the path of Extremoduro, Platero y Reincidentes" three groups that can not be further apart.)

The most TV and radio, as we all know than to inform the groups are advocacy tools to help up to some chosen, properly designed or remodeled from the record. It's logical. We will not ask the general media to inquire into dens or listen to demos, but in this case seems to be some extraordinary effort or blindness not to learn a musical that takes many years established. And in the case of Extremoduro no longer fun surprise to a group of 96 good and original from the beginning, and with five albums and a clear success in the big picture alternative. It is not surprising as his clear direct response in the wine as follows: get out to take the ass, hear.
The pie continues: this year alone the phenomenon of Viña Rock has appeared on TV and I hope that is designated as worthy of massive assistance to Extremus. But the trouble is that music magazines also good in my opinion, and clearly independent will seem to have a grudge against the ongoing urban English rock. One should remember that in pop music is, perhaps along with the rumba, the only style we have not plagiarized directly from the whites. And despite this marginalization persists. Extremoduro
now are regarded as sacred and lost direct Hardwood recommended (rightly) everywhere. Before this change a surprised ex-loggers declared in a recent interview: "hallucinate because if the press and the record we had been treated then as now, we had not separated." This is logical only hold it against them.

is true that the influence of Wood and especially Extreme overweight in many groups that are constantly repeating melodies, riffs, themes or verses (spring, flowers and "your hole," to quote a favorite holes, mostly) while imitating the voice of their idols trying to put more hoarse, like a foolish child who has left home alone. It is true that there is little originality in the majority and we need a renewal. General. And quick. But there are many others from the urban rock sack head removed more than worthy to his own history. And this does not look or want to see. However it continues to praise the way that is both Beatle or more predictable melodies, vocal harmonies, themes and verses (love, loneliness, clouds, sunrise) when the English pop also in need of renovation. Fast. General. And urgent. However not critical to insult both the Brit-pop, a phenomenon also with narrow margins to the point that it identifies a few seconds and can be mistaken for one group against another in a listening distracted. But for some strange reason does not seem so bad. Is not as monotonous plagiarizing plagiarizing Oasis Extreme and may well go the way of the Kinks for 8 disks but not to approach or slightly Barricada. Explain it to me, listen.

Finally, the last few years the internet is becoming the alternative means to deliver music or information to media groups that could not more, well, general. Extreme also long, but also La Polla o Soft, demonstrated that they can sell records and above all to hundreds of concerts without ever appearing on TV or playing on the 40. But now, increasingly strengthened hereby and many simply do not want to resort to interviews laminated or programs where do the monkey. Just do not.
The urban rock, with their strengths and weaknesses, has a loyal following and has left behind, at least in part, constant fussiness, but fall into other defects. And he has learned how to live outside the media. Now that you are 12 years of the publication of "Agila", at least officially, marked a before and after can take stock. And it does not take very much alive to see that the number of visits with certain websites and with the gradual proliferation of festival-goers in the Vine and Extremus seems that once again something will blow on the head of the critics. Hopefully now awake. For your sake.
are not going to have to send back to take the ass.