things first if someone has been a little lost or breaded:
the first single chosen to present "Hellville de luxe", Bunbury last album was the song "The thin man who will not waver ever. " Someone realized then that this phrase (repeated thirteen times as chorus) was a verse from the poet died Pedro Casariego. So first Alsedo Quico (the great blogger Music World) began to investigate and discovered that the same song Bunbury used the following verses of the poet:
"I will fight against all those who say what I say" (' I love the poem because your heart is cheap ').
"I see mysteries and detectives in some women in some men" (quoted in an interview published in 'Half-truths', Espasa).
and noted that the entire disk not a single mention of Pedro Casariego: not only is cited, it appears neither in gratitude as if I passed, for example, Fernan Gomez in the album "The trip to nowhere."
Then comes the kicker: many media (Efeeme magazine, El Pais and El Mundo, mostly covered and cowards that abound on the Internet) are rubbing their hands and pulled at the jugular of Bunbury. Bunbury feel unfairly attacked (because he was being attacked and it has too much ego to come up that are part of the same reason) and stirred with a statement offensive and proud:
I will not deny it has used two phrases Casariego (great poet, by the way) drawn from two books. As I use my notebook to record comments made late at night, Humphrey Bogart phrases in black films, excerpts from the events section, (...). Throughout the history of popular music, large and unknown songwriters like practices have been picking up phrases from traditional songs and doing new and different creations. (...) Dylan, Cohen, Lennon, Van Morrison, have used sacred texts like the Bible, the Kabbalah, the I Ching, the Tao Te Ching, or unquestionable poets like TS Elliot, Dylan Thomas, Edgar Allan Poe, Shakaspeare ... or the daily press to tell us their concerns and create their songs.
The storm continues to promote the album and Bunbury has a serious clash with a reporter from The Leaving the country to end the interview gets to poke Efeeme whenever possible, El Mundo and El Pais also exploits the less excuse such as, to publish critical point Disk Extreme "and he quoted Galdós YES, take note Bunbury ". Like little kids ...
Weeks later, but with the apathy and laziness that characterizes them, gets all a bit serious in this matter: more research that reveals a new discovery: Elsa Fernández, El País notes that Bunbury has also used the following verses of Basque poet Joseph Sarrionandia (the song from Kortatu "Sarri, Sarri"):
'In this place where they cross century and the second country ... called away '(The song of Bunbury, reversing the order says: "In this country they are calling far away, where you can find me at the crossroads of a century and a second".)
"My desire is not only nests and abandoned." ("Our wishes are no longer that abandoned nests").
http://www.elpais.com/articulo/cultura/Nueva/inspiracion/literaria/Enrique/Bunbury/elpepucul/20081009elpepicul_5/Tes
then also fall, although it had been fairly easy to see before, in another song on the album, the exciting "Two hundred bones and a necklace of skulls" Bunbury Casariego using another verse: "A good verse perhaps the brave side of a coward. "
has to be the Basque singer unveils Ruper Ordorika that much of the mystery:
" My feeling is that everything comes from a book entitled Eight poets Ardora editorial which coincidentally is rare Casariego and where the only Castilian translation of the poem there (...) Sarrionandia the impression is that you have been caught simply because it's a very superficial ".
mean, it was all pretty easy to find out ...
In fact, it was fucking easy: Bunbury not consider these things plagiarism (of course, because they have had some fear would have chosen another single though most Critics do not listen carefully discs. I think that, having chosen another single or BA GIVEN THAT THE SPANISH JOURNALISTS ARE, SIMPLY HAVING CHANGED THE TITLE OF THE SONG that might not have come to light ...)
And as Bunbury plagiarism does not consider these things, perhaps a good interview to talk about music, poetry and inspiration of the disc, and had cited Casariego Sarrionandia (without identifying it is not an asshole, but at least enough research delimiting ...).
So let's go to the root of the problem: BUNBURY WHY NOT THESE THINGS CONSIDERED PLAGIARISM? Because it has done so WITHOUT ANY CAREER MUSICAL CRITICISM IS NOW ECHA HANDS HEAD HAS NEVER SAID ANYTHING:
"The most trivial / fundamental turn (" Still ", Mario Benedetti). In the song "Opium" Heroes del Silencio: "The most trivial things become fundamental"
"Pain is a trial / death to come" ("Homeland is humanity", Mario Benedetti). In the song "Spark": "And the pain is a trial / death."
(You can find more examples, though less
representatives in one of the few worthy articles that have been made on the subject: Http://www.elconfidencialmusical.com/noticias.php?id=000768 )
CONCLUSION: A boy of 20 who is starting, from industry or music criticism can be given a touch and say: Look, THIS IS FUCKING EASY: You can take without paying VERSES COPYRIGHT BUT ARE considered polite to include authors.
But after having allowed it in fucking famous songs ... do not throw the neck of a godlike uncle will not know how to react ... at least without Having A deigned to investigate and see where everything is ...
So, again, the prudish, smug, careless and harmful music criticism in Spain gets controversial due to his incompetence only ...
Indeed, the latest album of Bunbury is quite good, with 3 or 4 tracks very, very, very good (some with lyrics Cojonudos hehe, sorry for the easy joke-)
Indeed, it has been number one in sales two weeks in Spain, in my User Input because their fans have wanted to wrap up after all the fuss ... What does this mean? Has been treated so badly (with personal attacks, interviews with slaughter ...) has increased the number of people passing full of critics, just believe in the stars and so is condemned to enable everything and that his music continue to grow. Bad times
para la lírica, nenes.
the first single chosen to present "Hellville de luxe", Bunbury last album was the song "The thin man who will not waver ever. " Someone realized then that this phrase (repeated thirteen times as chorus) was a verse from the poet died Pedro Casariego. So first Alsedo Quico (the great blogger Music World) began to investigate and discovered that the same song Bunbury used the following verses of the poet:
"I will fight against all those who say what I say" (' I love the poem because your heart is cheap ').
"I see mysteries and detectives in some women in some men" (quoted in an interview published in 'Half-truths', Espasa).
and noted that the entire disk not a single mention of Pedro Casariego: not only is cited, it appears neither in gratitude as if I passed, for example, Fernan Gomez in the album "The trip to nowhere."
Then comes the kicker: many media (Efeeme magazine, El Pais and El Mundo, mostly covered and cowards that abound on the Internet) are rubbing their hands and pulled at the jugular of Bunbury. Bunbury feel unfairly attacked (because he was being attacked and it has too much ego to come up that are part of the same reason) and stirred with a statement offensive and proud:
I will not deny it has used two phrases Casariego (great poet, by the way) drawn from two books. As I use my notebook to record comments made late at night, Humphrey Bogart phrases in black films, excerpts from the events section, (...). Throughout the history of popular music, large and unknown songwriters like practices have been picking up phrases from traditional songs and doing new and different creations. (...) Dylan, Cohen, Lennon, Van Morrison, have used sacred texts like the Bible, the Kabbalah, the I Ching, the Tao Te Ching, or unquestionable poets like TS Elliot, Dylan Thomas, Edgar Allan Poe, Shakaspeare ... or the daily press to tell us their concerns and create their songs.
The storm continues to promote the album and Bunbury has a serious clash with a reporter from The Leaving the country to end the interview gets to poke Efeeme whenever possible, El Mundo and El Pais also exploits the less excuse such as, to publish critical point Disk Extreme "and he quoted Galdós YES, take note Bunbury ". Like little kids ...
Weeks later, but with the apathy and laziness that characterizes them, gets all a bit serious in this matter: more research that reveals a new discovery: Elsa Fernández, El País notes that Bunbury has also used the following verses of Basque poet Joseph Sarrionandia (the song from Kortatu "Sarri, Sarri"):
'In this place where they cross century and the second country ... called away '(The song of Bunbury, reversing the order says: "In this country they are calling far away, where you can find me at the crossroads of a century and a second".)
"My desire is not only nests and abandoned." ("Our wishes are no longer that abandoned nests").
http://www.elpais.com/articulo/cultura/Nueva/inspiracion/literaria/Enrique/Bunbury/elpepucul/20081009elpepicul_5/Tes
then also fall, although it had been fairly easy to see before, in another song on the album, the exciting "Two hundred bones and a necklace of skulls" Bunbury Casariego using another verse: "A good verse perhaps the brave side of a coward. "
has to be the Basque singer unveils Ruper Ordorika that much of the mystery:
" My feeling is that everything comes from a book entitled Eight poets Ardora editorial which coincidentally is rare Casariego and where the only Castilian translation of the poem there (...) Sarrionandia the impression is that you have been caught simply because it's a very superficial ".
mean, it was all pretty easy to find out ...
In fact, it was fucking easy: Bunbury not consider these things plagiarism (of course, because they have had some fear would have chosen another single though most Critics do not listen carefully discs. I think that, having chosen another single or BA GIVEN THAT THE SPANISH JOURNALISTS ARE, SIMPLY HAVING CHANGED THE TITLE OF THE SONG that might not have come to light ...)
And as Bunbury plagiarism does not consider these things, perhaps a good interview to talk about music, poetry and inspiration of the disc, and had cited Casariego Sarrionandia (without identifying it is not an asshole, but at least enough research delimiting ...).
So let's go to the root of the problem: BUNBURY WHY NOT THESE THINGS CONSIDERED PLAGIARISM? Because it has done so WITHOUT ANY CAREER MUSICAL CRITICISM IS NOW ECHA HANDS HEAD HAS NEVER SAID ANYTHING:
"The most trivial / fundamental turn (" Still ", Mario Benedetti). In the song "Opium" Heroes del Silencio: "The most trivial things become fundamental"
"Pain is a trial / death to come" ("Homeland is humanity", Mario Benedetti). In the song "Spark": "And the pain is a trial / death."
(You can find more examples, though less
representatives in one of the few worthy articles that have been made on the subject: Http://www.elconfidencialmusical.com/noticias.php?id=000768 )
CONCLUSION: A boy of 20 who is starting, from industry or music criticism can be given a touch and say: Look, THIS IS FUCKING EASY: You can take without paying VERSES COPYRIGHT BUT ARE considered polite to include authors.
But after having allowed it in fucking famous songs ... do not throw the neck of a godlike uncle will not know how to react ... at least without Having A deigned to investigate and see where everything is ...
So, again, the prudish, smug, careless and harmful music criticism in Spain gets controversial due to his incompetence only ...
Indeed, the latest album of Bunbury is quite good, with 3 or 4 tracks very, very, very good (some with lyrics Cojonudos hehe, sorry for the easy joke-)
Indeed, it has been number one in sales two weeks in Spain, in my User Input because their fans have wanted to wrap up after all the fuss ... What does this mean? Has been treated so badly (with personal attacks, interviews with slaughter ...) has increased the number of people passing full of critics, just believe in the stars and so is condemned to enable everything and that his music continue to grow. Bad times
para la lírica, nenes.
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