Let us therefore little previous topic: all the artists who start complaining about the slightest lack of support from media to get their music. And plenty of them right. But we have said (and see if we wake up the little story tale) that radios, magazines and television are to make money and it's risky bet by some dudes who do not know or the unfortunate mother who bore them.
However, within the phenomenon of English urban rock (and soon to stop calling and now that is gone forever) has occurred, the entire life (except for the first Villa de Madrid and the relative power of Discs Chapa Mariscal Romero or waves) that groups have had the opportunity to be known, to get their songs, to survive and, in many cases, to succeed.
course many did not have good luck, but do not forget that there are many bad as hell (in my humble opinion) which are podriditos money and playing nonstop for an eternity. So let's say that the possibility of letting you know without institutional support or resources is only possible if you rock urbano. And do not forget that the majority are stupid and spokespeople with long names that grace is trying to do (using "k" instead of "qu", "z" instead of "c", "tx" and so on ... ), ie, which its nomenclature seems, a priori, just an easy sell. (Imagine a drink is called "Koka-kola pa balls" or "Trina, Trina, that something is" and tell me if it meets the required business, that servant of these things does not understand ...).
Úsease, and I'm short, that the urban rock style has on others a huge advantage like so very naturally to the English public that has survived the critical scorn, institutional ignorance, lack of originality of much of its proposal and even his nature not given to "sold as product."
Therefore, as we said before, every year the Extremúsika peta, the Vineyard and many other festis, so http://www.manerasdevivir.com/ and http://www.rockcircus.net/ visits are way up and so the unconditional love has forgiven Soft (Eg) its concert season pathetic or (and here I go) has sold out of all Extreme tour before deign to make the fucking record. Within
be a minority trend, urban rock is a vast minority, a minority can be enough to survive on its own. Did not need compassion, help or support from anyone over thirty years of existence.
So let's not charity, compassion and gibberish: why no support "our" despite everything, there is no reason to forgive bad records, filling songs, concerts, mediocre (I speak in general: it could give examples but it is a matter of touch eggs because. Maybe another day.) Let's cut
charity, solidarity, permissiveness and good vibes and we demand the level of a few years ago. Only way out that once someone takes the throne of Extreme now that the King of Extremadura definitely has abdicated.
However, within the phenomenon of English urban rock (and soon to stop calling and now that is gone forever) has occurred, the entire life (except for the first Villa de Madrid and the relative power of Discs Chapa Mariscal Romero or waves) that groups have had the opportunity to be known, to get their songs, to survive and, in many cases, to succeed.
course many did not have good luck, but do not forget that there are many bad as hell (in my humble opinion) which are podriditos money and playing nonstop for an eternity. So let's say that the possibility of letting you know without institutional support or resources is only possible if you rock urbano. And do not forget that the majority are stupid and spokespeople with long names that grace is trying to do (using "k" instead of "qu", "z" instead of "c", "tx" and so on ... ), ie, which its nomenclature seems, a priori, just an easy sell. (Imagine a drink is called "Koka-kola pa balls" or "Trina, Trina, that something is" and tell me if it meets the required business, that servant of these things does not understand ...).
Úsease, and I'm short, that the urban rock style has on others a huge advantage like so very naturally to the English public that has survived the critical scorn, institutional ignorance, lack of originality of much of its proposal and even his nature not given to "sold as product."
Therefore, as we said before, every year the Extremúsika peta, the Vineyard and many other festis, so http://www.manerasdevivir.com/ and http://www.rockcircus.net/ visits are way up and so the unconditional love has forgiven Soft (Eg) its concert season pathetic or (and here I go) has sold out of all Extreme tour before deign to make the fucking record. Within
be a minority trend, urban rock is a vast minority, a minority can be enough to survive on its own. Did not need compassion, help or support from anyone over thirty years of existence.
So let's not charity, compassion and gibberish: why no support "our" despite everything, there is no reason to forgive bad records, filling songs, concerts, mediocre (I speak in general: it could give examples but it is a matter of touch eggs because. Maybe another day.) Let's cut
charity, solidarity, permissiveness and good vibes and we demand the level of a few years ago. Only way out that once someone takes the throne of Extreme now that the King of Extremadura definitely has abdicated.
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